22 Fall Medium Haircuts 2026 That Are Stylish, Fresh & Easy to Wear

Is your current cut going to carry you into September, or does it already feel like it belongs to a different version of you? Are you holding onto those sun-bleached ends, or are you ready for something with a little more weight and intention? And honestly, when was the last time a haircut actually made you feel like yourself walking out of the salon?

This is the season where everything shifts just slightly. The blondes get richer, the brunettes pick up warmth, and medium-length cuts start doing the heavy lifting they were always meant to do. Fall medium haircuts 2026 are leaning into texture, dimension, and that middle ground between “I spent an hour on this” and “I woke up like this.” We’re seeing more face-framing layers, more tonal depth, more cuts that look intentional six weeks after your appointment, not just the day of.

I pulled together 22 medium-length styles that cover the full spectrum: warm coppers, cool ash tones, glossy brunettes, lived-in blondes, sharp bobs, soft shags, and a few that genuinely surprised me. Here’s what’s worth bringing to your stylist this fall.

Dark Root Ombré Bob With a Sharp Blunt Finish

I keep coming back to this kind of contrast. The roots are a deep, almost-black brown that melts into a sandy blonde right around the jawline, and the blunt cut makes the whole thing feel deliberate in a way that softer shapes sometimes don’t. It’s a medium-length bob, center-parted, with zero layering. The ends are cut so clean you could draw a straight line across them. That precision is what makes the Ombré color transition read as a style choice rather than grow-out. SLEEK is the word here, but it’s not cold; the warm blonde at the tips keeps it from feeling severe.

This kind of cut demands healthy ends, full stop. If you’re lightening the bottom half and keeping it blunt, any damage shows immediately. K18 Leave-In Molecular Repair Mask is worth using the night before your trim. It actually reconnects broken keratin chains rather than just coating the strand. Tracey Cunningham’s whole approach to color is about making dimension look like it happened naturally, and this shade gradient has that same philosophy. For maintenance, you’re looking at trims every six weeks; blunt cuts lose their sharpness fast.

It feels like the kind of haircut that makes you sit up a little straighter. Maybe it’s the clean line, maybe it’s the confidence of not hiding behind layers. Either way, I’ll probably be saving this one for a while.

Glossy Chestnut Curls With Warm Undertones and Body

I didn’t expect this level of shine from curls, but the combination of the chestnut color and the sun hitting it makes it almost look wet. It’s not, though. It’s a deep, warm brown with some lighter chestnut strands woven through, and the curls are large, open spirals that cascade from mid-back downward. The cut is long layers that allow the curls to bounce individually rather than clumping together, and the overall shape is full and triangular in the best way. When you’ve got this much body naturally, the cut’s job is to distribute it evenly rather than fight it.

Olaplex No. 7 Bonding Oil is lightweight enough for curly and wavy textures without flattening the curl pattern, and it delivers the kind of reflective gloss you see here. A dime-sized amount on dry hair after styling; don’t touch it while it’s drying or you’ll disrupt the curl formation. The warm undertones in this color are what keep it from looking flat; there’s dimension happening even within a single-process brown when the formulation includes golden and copper reflects in the base. Vernon François’s work with textured and natural hair always emphasizes that healthy curls require less manipulation, not more.

It reminds me of the way sunlight looks filtered through amber glass. Warm, alive, and a little unpredictable.

Classic Chocolate Blowout With Soft Flipped Ends

There’s a kind of quiet confidence to this one. The color is a classic medium chocolate brown, warm but not red, with no visible highlights or lightening. The cut is a medium-length style with layers that flip outward at the ends in that specific way that only a round-brush blowout achieves. The volume is centered at the lower half of the hair rather than the crown, creating a bell-like silhouette. It’s a Cute, approachable style that would look equally at home at a dinner table or a work presentation. The side part adds just enough asymmetry to keep it interesting.

Living Proof Blowout is a styling cream that speeds up dry time while adding smoothness, which is exactly what you need for a blowout with defined, directional ends. The flipped ends require wrapping the hair outward around a medium-sized round brush at the very end of the blow-dry, then holding for five seconds with cold shot. That’s the set. The trick that separates a salon blowout from a home attempt is sectioning: smaller sections, more tension on the brush, slower movement. This kind of single-process brunette fades slowly and gracefully; expect to refresh your color every eight to ten weeks.

Honestly, I appreciate a haircut that knows exactly what it’s doing without announcing it. This is comfortable in its own skin. Or. Well. Its own strand.

Warm Brown Waves With Golden Highlights and Natural Movement

I keep coming back to this combination: warm brown base, golden highlights scattered through the lengths, soft waves, and enough volume that it moves when she turns her head. The cut is medium-length, maybe two inches past the shoulders, with face-framing layers that blend into longer overall layers. The styling has that bouncy, lived-in quality that comes from either a large curling iron used loosely or a round brush with big sections. The Golden highlights aren’t uniform; some are chunkier, some are finer, and that inconsistency is what makes the color read as natural rather than processed.

Redken All Soft Conditioner is a good foundational product here because highlighted brunette hair walks a tightrope between needing moisture and getting weighed down. It’s protein-free, so it won’t cause buildup, and it softens without coating. The highlight technique looks like a combination of traditional foiling at the face and hand-painted balayage through the lengths, which gives you two different dimensions of lightness in the same head of hair. The face pieces are brighter and more saturated; the rest is subtler. Expect touch-ups at the face frame every eight weeks, full balayage refresh every fourteen to sixteen weeks.

It feels like someone who laughs easily. I don’t know how to explain that about a hair color, but it’s true.

Warm Honey Waves With Vintage Volume and a Deep Side Part

Now this version feels like it belongs in a different decade, and I mean that as a compliment. The color is a warm honey brown with some golden dimension through the mid-lengths, and the styling is all big, bouncy curls swept to one side. There’s a deep side part that gives it that old-Hollywood weight, and the glasses somehow make it feel more modern than retro. It’s medium-length, sitting just past the shoulders, with layers that only reveal themselves in the curl pattern. Vintage but not costume-y.

The volume here comes from a roller set or a large-barrel curling iron with proper root lift. Bumble and bumble Thickening Dressing Spray is one of those products that gives you grip and body without that crunchy early-2000s texture. I’d also bet there’s a strong hold hairspray locked in at the roots. This is the kind of styling that Jen Atkin’s team talks about in general terms: the idea that movement should look like it has somewhere to go. If you’re going to commit to this much volume, protect the shape with a silk pillowcase. It’ll hold for two days instead of one.

Honestly, there’s something about this look that makes you want to lower your sunglasses dramatically before walking into a restaurant. A mood, not just a style.

Warm Copper Lob With a Sleek Center Part

If I’m honest, this shade snuck up on me. It’s a warm copper that leans slightly toward ginger in direct light, and the cut is a clean lob with a center part and just the faintest bit of texture at the ends. The color is all-over, no highlights or dimension tricks, just a solid single-process warmth that makes her skin glow. It sits right at collarbone length, maybe half an inch below, and the styling is almost nothing: smooth, straight, with the slightest bend outward at the tips.

Copper fades faster than almost any other shade because the red pigment molecules are smaller and wash out quicker. Cool water when you rinse. Non-negotiable. Davines Alchemic Copper Conditioner deposits just enough pigment each wash to keep things from sliding into brassy territory. You’ll want a gloss treatment every four to five weeks if you want this intensity to last. The cut itself is low-maintenance, though; a trim every eight to ten weeks keeps it looking fresh without losing length.

Some shades just feel like the end of summer. This copper is warm enough to carry August energy but rich enough to walk straight into October without looking out of season.

Caramel-Kissed Medium Layers With Subtle Face-Framing Highlights

The first thing I noticed about this one is how the highlights don’t start at the root. They pick up about two inches down, right where the hair naturally catches light, and they’re concentrated around the face and through the ends. The base is a cool-leaning medium brown, and the lighter pieces are a true caramel, not gold, not honey, somewhere in between. The cut is shoulder-length with long, soft layers and a slight outward flip at the bottom. It’s the kind of Dimensional color that photographs well but also looks great at 7 a.m. under fluorescent office lighting.

Kérastase Elixir Ultime oil is what gives hair this kind of light-catching sheen without weighing down fine strands. A pea-sized amount on damp ends, that’s it. The face-framing pieces here are technically babylights wrapped in foils rather than hand-painted balayage; you can tell because the saturation is more even. Allure has been featuring this exact placement in their seasonal color stories for the last couple of years, and it’s because the grow-out is so forgiving. You can stretch appointments to ten or twelve weeks and still look put-together.

I keep thinking about how this would look caught in that late-afternoon golden light. It’s not trying to be dramatic. It’s just doing its job really well.

Smoky Mauve Eyeshadow Meets Long Dark Brunette Waves

This one’s a little different, and that’s the point. The hair itself is a deep, warm brunette with subtle caramel highlights woven through the mid-lengths, styled in loose, undone waves that start below the ear. It’s long for a medium cut, grazing the chest, but the layers keep it from reading as heavy. What sells the whole thing is the contrast between the muted, smoky makeup and the warmth in the hair color. The center part keeps everything balanced, and the wave pattern is irregular in that specific way that says “I scrunched this with product and walked out the door.”

Living Proof Perfect Hair Day Advanced Clean Dry Shampoo is what maintains this kind of second-day wave without flattening the roots. Spray it at night, not in the morning; it absorbs better while you sleep. The color technique here looks like a classic balayage with a root shadow, which is why the grow-out will be gradual rather than a stark line. This is the lane Tracey Cunningham is known for: making brunette dimension look like sunlight rather than salon intervention. Expect to refresh the gloss every six to eight weeks.

It reminds me of the way hair looks after a long evening outside. A little tousled, a little warm, and completely unconcerned with being perfect.

Sleek Honey Blonde Straight Hair With a Soft Middle Part

Okay, this is the one I’d actually book. The color is a warm honey blonde that’s brighter toward the face and slightly darker at the crown, which gives it that natural sun-faded look without any harsh lines. It’s styled pin-straight, no wave, no curl, just glass-smooth hair with a soft middle part. The cut appears to be one length with minimal layering, and it sits well past the shoulders. That simplicity is the whole point. When the color is doing this much work, the styling can stay quiet.

Color Wow Dream Coat Supernatural Spray is designed exactly for this finish: it creates a moisture-repelling barrier that keeps straight styles smooth even in humidity. You spray it on damp hair before blow-drying, and it basically acts like a rain jacket for your strands. The blonde here looks like a combination of foiled highlights and balayage, with finer pieces at the hairline and chunkier ones underneath for dimension. Vogue’s seasonal color features keep circling back to this “undone blonde” approach, where the roots are intentionally left natural rather than touched up every six weeks. It means you can stretch appointments to eight or even ten weeks comfortably.

It’s funny how the simplest styling can make a color pop the loudest. No curls competing for attention, no texture distracting from the tone. Just light moving through clean, healthy hair.

Glamorous Black Waves With a Dramatic Side Sweep

I didn’t expect to love this as much as I do, but here we are. The color is a true, deep black with no visible dimension or highlights; it’s all about the high shine and the movement of the waves. The cut is long, layered, and swept heavily to one side, with that kind of red-carpet volume that requires actual effort. The styling reads as Glamorous in a very specific way: big, soft barrel curls brushed out just enough to become waves, with the front pieces framing the face and then falling back behind the shoulders.

Achieving this level of mirror-shine on dark hair without it looking greasy requires a lightweight serum applied sparingly. Virtue Healing Oil is excellent for this; it’s thin enough to absorb but reflective enough to create that glass effect on black hair. Chris Appleton’s entire reputation is built on this kind of high-shine, sculpted finish. He’s known for making hair look like it’s been lacquered. If you’re working with naturally dark hair, the maintenance here is more about the cut shape than color: long layers need reshaping every eight weeks or the graduation flattens out.

There’s a kind of quiet confidence to this one. The drama isn’t in the color. It’s in the way it moves.

Brunette Balayage Waves With Warm Caramel Dimension

This is what I’d call a no-overthinking-required hair color. The base is a medium brown with warm caramel balayage concentrated heavily around the face and through the front sections. The waves are soft and loose, more of a bend than a defined curl, and the cut is a medium-length lob with layers that create movement without removing bulk. It’s a center-to-slightly-off-center part, and the overall vibe is approachable, pretty, and extremely easy to maintain. The kind of Warm tone that reads well whether you’re inside or standing in direct sunlight.

Pureology Hydrate Sheer Conditioner is my pick for maintaining this kind of balayage without weighing down the lighter pieces. Highlighted hair is drier hair, always, and you need a conditioner that adds moisture without depositing anything that dulls the brightness. The placement here is specifically designed to grow out well; the lightest pieces are concentrated at the ends and around the face where you’d naturally see sun exposure. Refinery29 keeps putting exactly this kind of lived-in balayage in their seasonal roundups, and it’s because the technique delivers maximum visual impact with minimum upkeep. Touch-ups every twelve weeks, easy.

At some point you stop overthinking it, and this is that point. It works in August, it works in November, it probably works at your cousin’s wedding.

Deep Cherry Red Waves With a Dark Root Transition

Out of everything here, this might be the one I’d bring to my colorist first. The color is a deep cherry red that starts dark and almost plum-toned at the crown, then opens up into a brighter, more saturated crimson through the mid-lengths and ends. The waves are large and defined, styled with intention, and the hair sits well past the shoulders. It’s a bold choice for fall, and it works because the dark root keeps it grounded rather than costume-y. This is Red hair done with control.

Red pigment molecules are genuinely smaller than other hair dye molecules, which is why red fades fastest. Cold rinses matter here more than anywhere else in this roundup. dpHUE Color Boosting Gloss + Deep Conditioning Treatment in Auburn is designed to refresh red tones between salon visits; you can use it once a week in the shower. Guy Tang’s work with vivid and fashion color is what comes to mind with this level of saturation: he’s known for treating bold shades with the same technical precision as natural tones. Plan for a color refresh every four to five weeks if you want to maintain this intensity.

Say what you want, but red hair in fall just makes sense. The leaves are doing it; why shouldn’t you?

Ash Blonde Layers With a Natural Root Shadow

There’s something about this shade that feels like it doesn’t need to try. It’s an ash blonde, cool-toned, with a visible natural root shadow that’s about two inches deep. The layers are soft and face-framing, styled with a slight wave that flips back from the face, and the length sits just at the shoulders. The overall read is natural and low-effort, the kind of blonde that makes people ask “is that your real color?” even though it definitely isn’t. The cut has movement without being heavily layered; it’s more like two or three long layers that create subtle shape.

Purple shampoo only works on cool-toned blondes like this one, and even then you should only use it once a week max or it’ll deposit too much violet and turn things grey. IGK Mixed Feelings Leave-In Blonde Toning Drops are more precise; you add a few drops to your conditioner and control exactly how much toning happens. The root shadow here is intentional rather than grown-out, which is a technique that’s been gaining traction in the ash blonde space. It means the roots look purposeful even at week eight or nine. Elle has been calling this “shadow blonde” for a few seasons now, and the appeal is obvious: salon visits drop from every six weeks to every ten.

This is the kind of color that doesn’t need explaining. You just point at it in the salon and say “that one.”

Cool Ash Blonde Waves With Lived-In Texture

I tried something close to this last summer and it converted me from warm-toned everything. The color is a cool, almost silvery ash blonde, with enough warmth at the root to keep it from going icy. It’s long, past the shoulders, styled in those effortless, undone waves that look like you braided your hair overnight and shook it out. The layers are long and invisible until the wind catches them, and the overall finish is matte rather than glossy. It’s the kind of Ash blonde that looks its best in overcast light or golden hour, which makes it ideal as summer slides into fall.

Olaplex No. 4P Blonde Enhancer Toning Shampoo is formulated specifically for maintaining cool blonde tones without stripping moisture the way some purple shampoos do. Use it every other wash and alternate with a hydrating formula. The texture here comes from a salt spray or texturizing spray on damp hair, then air-drying or diffusing with minimal touching. Hands off. That’s the rule. Jen Atkin’s whole styling philosophy centers on movement that looks accidental, and this is a textbook example. The wave direction changes halfway down, which creates visual interest without symmetry.

I keep thinking about how this color shifts depending on the weather. Bright and platinum on sunny days, softer and almost pewter-toned when it’s grey outside. I like hair that does different things in different light.

Rich Copper Balayage Waves With Auburn Depth

The first thing I noticed about this one is the temperature. Not the color temperature in a technical sense, although that too, but the visual warmth that just radiates off the screen. The base is a deep auburn brown, and the balayage pulls in bright copper and warm gold tones that concentrate at the ends and cascade through large, defined waves. It’s long for medium-length territory, sitting at mid-back, and the layers are subtle; most of the movement comes from the styling rather than the cut structure. Copper hair color like this is the definition of fall transition hair.

Redken Color Extend Magnetics Shampoo is sulfate-free and specifically designed to protect color-treated hair from fading. For coppers and auburns, sulfate-free isn’t optional; it’s the difference between four-week color and eight-week color. The balayage technique here uses a color melt at the root, which means there’s no visible line where the darker shade ends and the copper begins. It just shifts gradually. Maintaining this level of copper vibrancy means cold-water rinses and a color-depositing conditioner once a week. The pigment sits on the outside of the cuticle and washes away easily if you’re using hot water.

It reminds me of the way maple leaves look when the sun hits them from behind. Not quite orange, not quite brown, just that specific in-between warmth that only exists for a few weeks each year.

Voluminous Sandy Blonde Layers With a Bouncy Blowout Finish

This one feels like a Friday haircut. The color is a natural sandy blonde, slightly warmer at the roots and brighter through the lengths, and the styling is a full, bouncy blowout with curled ends that flip outward. The cut is long layers with lots of internal texture, and the volume is concentrated at the mid-lengths and ends rather than the crown. It’s the Layered style that actually holds its shape because the weight is distributed correctly. She looks like she just walked out of a blow-dry bar and is heading somewhere good.

Ouai Wave Spray gives you texture and hold without that stiff, overworked feeling, but for a blowout this structured, you’ll also want a velcro roller set at the crown for ten minutes while your makeup sets. That’s the trick. The volume isn’t just from the round brush; it’s locked in afterward. The blonde here is what I’d call “your-color-but-better,” meaning it’s close enough to a natural shade that it never looks jarring at the root. A gloss treatment every three months keeps the sandy tone from pulling yellow as it oxidizes. The layers are cut specifically to curl outward; if you trimmed them straight across, you’d lose that bouncy flip.

Honestly, some cuts just make you feel like the main character. This is that.

Dark Brown With Copper-Red Face-Framing Accents

It’s a small detail, but it changes everything. The base is a dark chocolate brown, and the face-framing pieces are a vivid copper-red that fades into the underneath sections. The cut is medium-length with soft, wavy layers, and the color placement is intentional: the red only lives where it catches light around the face and at the ends, while the crown stays dark and grounded. It’s a version of the “money piece” trend that feels less obvious and more like a creative choice. The overall styling is relaxed, slightly undone, with a side part that lets the colored pieces fall forward.

Amika Vault Color-Lock Leave-In Conditioner works well here because you’re dealing with two different color situations on one head: the natural dark base and the lightened, deposited red sections. Each has different moisture needs. The red pieces will fade first and fastest, so targeted application of a copper-toned conditioner just on those front sections (skipping the dark hair) extends the life of the accent color without altering the base. Guy Tang’s approach to using color as an accent rather than an all-over commitment is what this reminds me of. It’s bold but not permanent-feeling.

This is the kind of color that doesn’t need explaining. It just looks like someone who knows what she wants.

Golden Blonde Layered Shag With Curtain Bangs and Movement

Okay so the shag is still here and honestly I’m not tired of it. This version is a golden blonde, warm-toned, with curtain bangs that sweep back from the face and layers that start high and cascade in different directions. The length is medium, sitting just past the chin at the longest point, and the texture is intentionally messy in that controlled way that takes more skill than it looks. The overall shape is round and full at the top, tapered at the ends. Retro, a little ’70s, but styled with enough modern ease that it doesn’t feel like a period piece.

Bumble and bumble Surf Spray is what creates this kind of piecey, separated texture without crunchiness. You want to apply it to damp hair, scrunch, and then either air-dry or diffuse with your head flipped upside down for root lift. The shag cut requires specific trimming every seven to eight weeks because those short interior layers grow out fast and start to lose their shape. If the layers go too long without a cut, the whole thing deflates and reads more “mullet growing out” than “intentional shag.” Chris Appleton’s work with polished finishes is actually the opposite of this, which is why I mention it: sometimes knowing what you don’t want clarifies the choice.

It feels like driving with the windows down. Not precious, not careful, just fun. That’s all a haircut needs to be sometimes.

Tousled Blonde Shag With Textured Layers and a Sun-Faded Finish

There’s a reason this kept showing up on my feed. The color is a sun-faded blonde, the kind that happens naturally when you spend August outside, with slightly darker roots and lighter, almost platinum pieces scattered through the layers. The cut is a textured shag with heavy layering that creates a windswept, lived-in silhouette. There’s movement in every direction, no two pieces lying the same way. It’s medium-length, hitting between the chin and shoulders, and the finish is matte and dry rather than shiny. Late summer hair trends keep circling back to this exact texture.

Virtue Volumizing Primer is lightweight enough to not weigh down fine blonde hair while still giving you that grip and body that textured cuts need to hold their shape. Apply it root to mid-length on towel-dried hair, then use a diffuser on medium heat. The key with a shag this layered is resisting the urge to smooth anything down. Let pieces stick up. Let the bangs go a little wild. This is the styling philosophy behind what Refinery29 describes in their coverage of undone texture: the imperfection is the point, and overcorrecting it kills the vibe. Trim every six to seven weeks for this many layers.

Some shades just feel like the end of summer. This is one of those late-August blondes that knows September is coming but isn’t in a rush to get there.

Sleek Dark Hair With a Glass-Smooth Finish and Blunt Ends

The simplicity of this is what draws me in. The color is a natural, almost-black dark brown with no highlights, no dimension, no tonal tricks at all. It’s all about the finish: impossibly smooth, pin-straight, with light reflecting off the surface in a single unbroken line from root to tip. The cut is medium-length, blunt at the bottom with a soft V-shape at the back, and there’s zero layering. Every strand sits at the same length, which is what creates that mirror-like surface. Straight styling on a Sleek, one-length cut produces an entirely different visual result than straight styling on a layered cut.

Kérastase Discipline Fluidissime Spray is a heat protectant that also controls frizz and flyaways for up to 72 hours, and you need that kind of longevity for a look this precise. One flyaway ruins the whole thing. Heat protection matters exponentially more on dark hair that’s being flat-ironed regularly because you can’t see the damage until it’s severe; lightened hair shows dryness early, but dark hair hides it until breakage starts. Blunt ends need a trim every six weeks, not eight, because any split immediately creates an uneven line that disrupts the smoothness. Allure’s annual best-haircuts features always include at least one version of this clean, no-layer cut.

I keep thinking about how much discipline this requires, and how the payoff is that it looks like you did nothing at all. There’s an irony there that I respect.

Warm Chocolate Waves With a Polished Salon Bounce

This is for the days when you want your hair to look like you had a professional do it. Because someone clearly did. The color is a warm chocolate brown, single-process, with subtle warmth that reads as natural rather than dyed. The waves are large, defined barrel curls brushed into soft, bouncy waves, and the volume sits at the ends rather than the roots. The length is medium-to-long, and the styling has that specific freshly-blown-out quality that lasts maybe six hours before gravity takes over. Brunette color like this reads differently when the styling is this polished; it goes from “pretty” to “put-together.”

A large-barrel curling iron (1.5 inches minimum) and a strong-hold mousse applied before blow-drying are the foundation here. Moroccanoil Volumizing Mousse is excellent because it doesn’t leave residue or make the hair feel coated, and the curls release more cleanly from the iron. The back view here shows how the layers graduate slightly, getting shorter toward the crown, which is what creates the graduated bounce rather than all the weight hanging at one length. Maintaining warm brown tones means avoiding clarifying shampoos that strip. Wash with a color-safe formula and use a clear gloss every eight to ten weeks to keep the reflective quality.

It’s a small thing, but it changes how you feel all week. The bounce, the shine, the way it moves. Sometimes you just want your hair to feel finished.

Rich Brunette Waves With Soft Dimensional Highlights

There’s something about this one that reads as “expensive haircare routine” without being fussy. The base is a rich, cool-toned dark brown, and there are face-framing highlights in a soft caramel that catch light right at the cheekbone. The waves are voluminous, starting from mid-length and cascading outward, and the styling has that deliberate salon bounce that holds its shape. It’s a medium-to-long cut with layers concentrated around the face, and the overall effect is full and healthy without any one element screaming for attention.

Moroccanoil Treatment Light is the product that gives brunettes this kind of reflective shine without pulling warm. You only need a few drops on damp hair before blow-drying. The highlight placement here reads as hand-painted because the concentration varies; thicker strokes near the part, thinner ones underneath. That variation is what creates visual depth rather than a solid stripe of lighter color. Brunette summer color like this benefits from a clear gloss every couple of months to prevent the base from going muddy or ashy.

Maybe it’s the season talking, but this shade of brown feels like it belongs to someone who has her life together. Not in a stressed way. In a “she probably also has a really good cookbook collection” way.